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BACK |
- 31 |
BAD |
BACK — FORTH
The bottle worked back and forth now like a shuttle.
From Here, 170
It slid up and down at the top of its oiled shaft, back and forth...
Cross, 211
BACK — FORWARD(S)
He distinguished the choice open to him of forward or back, and he selected forward.
Egoist, 259 As she paced back and forwards across the small green...
Hatter's, 89
BACKWARD(S) — FORWARD(S)
She began to rock backward and forward, at the same time swaying from side to side as in a trance.
Tragedy, 425
... he looked, not forward, but backward.
Hatter’s, 430
A dog... ran backwards and forwards on the parapet...
Oliver, 507
BAD — GOOD
If you’ve obeyed all the rules, good and bad, and you still come out at the dirty end, then I say the rules are no good.
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Live, |
466 |
... they |
are determined to get on by any means, good |
|
or bad. |
228 |
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Colonel, |
|
Through letters, whatever of good or bad was to |
be |
|
told |
would be communicated. |
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Pride, 283
BA D |
- 32 - |
6 E F O R 6 |
I ’ve a |
feeling that big things are to happen soon, for |
|
good |
and for bad. |
Spring, 574 |
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|
We’re all in this together for" better or for worse.
Cross, 346
BEAST — MAN
But man or beast, it will be wise to stay here a minute and let it get by and out of the way.
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Yankee, |
233 |
As a |
beast, |
the |
forces |
of life aligned him |
with them; |
|
as a man, he was not yet wholly learned |
to ally him |
|||||
self |
with |
the |
forces. |
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Sister, |
87 |
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BEAUTIFUL — PLAIN
Curious thing, plain women are always jealous of their husbands, beautiful women never are.
Woman, 108
Her face was not beautiful, it was rather plain.
Crusaders, 34
BEAUTIFUL — UGLY
Do you know what it is to be ugly all your life and inside to feel that you are beautiful.
For Whom, 97
They are not ugly! They are strong and... beautiful.
Tomorrow, 59
BEFORE — SINCE
Gunpowder, it seems, was never so cheap, before or
since...
Lorna, 30
B E F O R E |
- 33 — |
BIG |
|
They |
were looking |
at each other with as |
bewildered |
and |
helplessly miserable expression as I |
have ever |
|
witnessed on any |
human countenance before or since... |
Three, 96
BEGIN — END
BEGINNING — END
Romance should never begin with sentiment. It should begin with science and end with a settlement.
Ideal, 239
I want to settle it — to begin it or end it.
Heroes, 272
This is not the end for her, but the beginning.
Joan, 587
... may be the end of your world, but it is the beginning of a world for all others.
Heroes, 341
BEGIN — FINISH
They were all eating similar food simultaneously; they began together and they finished together.
Wives, 486
Office affairs are easy to begin and difficult to finish, particularly in a small town.
Room, 71
BIG — LITTLE
He looked at them all — little and big.
Tragedy, II, 262
It was the little things that got Pa Dunn. Not the big
things.
Tomorrow, 265
... they want to shake us out and that’s the big and little of it, nothing more and nothing less.
Financier, 231
4 Заказ 818
b i g |
— а4 — |
B l a m e |
BIG — SMALL
... insisted that the workers should look upon all of the farmers, small as well as big, as their enemies.
Outline, 324
... a bedbug is small and our house is big.
Cross, 374
BITTER — SWEET
... who shall analyse her tears, and say whether they were sweet or bitter?
Vanity, II, 371
... when they find life bitter they blame us for it, and when they find it sweet we do riot taste its sweetness with them...
Woman, 159
BLACK — WHITE
... whose intentions and actions towards Miss Alden were as different from those set forth by Mason as white from black.
Tragedy, II, 132
Ihave no objection to sit down and listen; but I don’t see how that can make black white.
Widower, 67
BLAME — PRAISE
.. whenever Alderman Dunstable praised or blamed she nodded twice or thrice, according to the require ments of his emphasis.
Ann, 140
.. if anywhere... any innocent man was wrongly blamed, then I would speak. If it were only that St. Clare was wrongly praised, I would be silent.
Brown, 273
bLAMfi |
*- |
35 |
— |
BUV |
Praise or blame has |
but |
a |
momentary effect on |
the |
man whose love of beauty makes him the severest critic of his own works.
Tomb, 301
I, who am beyond praise and blame...
Joan, 595
BLESSING — CURSE
Still, as I see it, marriage is a very sacred thing, and children are a blessing — not a curse.
Once all |
Tragedy, |
423 |
in all, but now a thing apart, thou canst |
not |
|
be my |
blessing or my curse. |
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Don, |
65 |
BODY — MIND
He felt as he had felt when he came out of battle, body and mind exhausted.
Say, 270
What’s talked of as ‘breeding’ in humans is an attrib ute of mind rather than of body.
End, 152
BROAD — NARROW
... he emerged on Breite Strasse, which seemed to have been given its name Broad Street, as a joke, so nar row it was.
Crusaders, 540
But the beams or cleats I found myself on were not the broad, generous ones... on the contrary they were very narrow...
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Bulls, |
309 |
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BUY — SELL |
|
robbed by the |
merchants both when they bought |
|
and when they |
sold. |
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Outline, |
90 |
4 * .
BUY |
36 |
C L E V E R |
Women like you have no hearts. Heart is not in you. You are bought and sold.
Lady, 64
CHEAP — DEAR
... for clothes, though dear to buy, are cheap to pawn...
Martin, 287
Buying cheap and selling dear...
All Men, 263
CHEAP — EXPENSIVE
... the long corridor that was like every other hotel
corridor whether cheap or expensive...
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From Here, |
313 |
|
I bought |
the cheap rayon garment to |
please |
myself; |
||
I bought the expensive silk garment |
because |
always |
|||
to |
wear |
clothes of that quality is an unwritten term |
|||
of |
my |
contract. |
Room, |
24 |
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CLEAN — DIRTY
“Air they dirty, or air they clean, Sir?’ ’ said Scadder, holding them out.
|
Martin, |
438 |
She did not |
simply look clean; she looked as if |
she |
had never |
been dirty. |
170 |
|
Room, |
CLEVER — FOOLISH
You don’t mean to say that this charming, clever young lady has been so foolish as to accept you?
Ideal, |
274 |
“ They are all of them very clever.’ ’ — “ ...But 1 |
must |
so far differ from you as to think our two youngest daughters uncommonly foolish.”
Pride, 30
C L E V E R |
37 |
COLD |
CLEVER — STUPID
I don’t call women of that kind clever. I call them stupid.
Ideal, 198
“ You become quite clever when you talk about her.’ ’— “ I didn’t know I was so very stupid on other subjects. ’ ’
Heartbreak, 188
CLOSE — FAR
The nearer to his favour, the nearer to his insolence; the closer to him, the farther from him.
Dombey, II, 244
... it may be farther off in your father’s sermons, Cal. But for the people it’s closer.
Tomorrow, 60
CLOSE — OPEN
Soames walked with his eyes on the ground, his lips opening and closing as though in anticipation of a delicious morsel.
Man, 71
He closed his eyes for a while, tlien opened them.
Love, 32
COLD — HOT
COLD — HEAT
Mrs. Jenkinson expressed her fears of Miss de Bourgh’s being too hot or too cold, or having too much or too little light.
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|
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Pride, |
163 |
First |
you are |
hot, |
then you are cold, and the |
best |
you |
have got |
is |
the fact you are old. |
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Song, 168
COL D |
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38 |
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COMIC |
|
But not putting enough behind |
it, |
blowing hot |
and |
||
cold |
the whole wretched |
time. |
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Homecoming, |
141 |
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||
Between these extremes of cold |
and |
heat and wet and |
|||
dry |
are vast temperate |
zones. |
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Outline, |
25 |
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|
|
Every day is a day of adventure with its cold and heat, its light and darkness, its cycles of exultant vigour and exhaustion...
Too |
True, |
285 |
COLD — WARM |
|
|
Don’t keep him too warm, ma’am; but |
be careful |
|
that you don’t let him be too cold. |
|
125 |
Oliver, |
“ I want to tell you something — two things,” he said hurriedly as the train came up. “ One is a warm one, the other a cold one.”
Jude, 191
COME — GO
Ministers come and ministers go; but 1 go on for ever.
Apple, 24
The hell with the money, come easy go easy.
Some Came, 144
COMIC(AL) — TRAGIC
COMEDY — TRAGEDY
.. it is tragic how much they trust us... Or comic, Lady
Basildon?
Ideal, 185
.. the thing was evidently more tragic than comic...
Club, 42
COMICAL |
- 39 |
COOL |
He was comical, yes, but he was also heartrendingly tragic.
Some Came, 212
The soul is born old but grows young. That is the com edy of life. And the body is born young and grows old. That is life’s tragedy.
Woman, 111
He gave a start and a little laugh as if he had been sud denly switched from tragedy to comedy.
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End, |
268 |
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COMPLICATED — SIMPLE |
|
|
“ But this |
is complicated.’ ’ — “ And on |
paper |
very |
simple,’ ’ |
Robert Jordan grinned. |
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|
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For |
Whom, |
152 |
But now he wanted to know about him — not compli cated things, only a few simple matters.
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Cross, |
319 |
COOL — HOT |
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||
Everybody was very hot |
and happy, |
except the |
lady |
|
in the dust cloak who was perfectly cool. |
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Brit ling, |
87 |
must do my duty, Rick, |
or you |
could never care for |
||
me in cool blood; and |
I hope |
you |
will always |
care |
for me, cool and hot. |
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Bleak, |
351 |
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|
|
COOL — WARM
For the first time her lips were not cool, shut and sister ly, but warm and open and delicious...
Death, 223
The day had been fine and warm; but at the coming on of night, the air grew cool.
Eden, 409